Controls and Art Inquiries at the Intersection of the Subjective and the Objective /
Dancing humanoids, robotic art installations, and music generated by mathematically precise methods are no longer science fiction; in fact they are the subject of this book. This first-of-its-kind anthology assembles technical research that makes such creations possible. In order to mechanize some...
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| Údar Corparáideach: | |
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| Údair Eile: | , |
| Formáid: | Leictreonach ríomhLeabhar |
| Teanga: | English |
| Foilsithe: |
Cham :
Springer International Publishing : Imprint: Springer,
2014.
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| Eagrán: | 1st ed. 2014. |
| Ábhair: | |
| Rochtain Ar Líne: | https://doi.org/10.1007/978-3-319-03904-6 |
| Clibeanna: |
Cuir Clib Leis
Gan Chlibeanna, Bí ar an gcéad duine leis an taifead seo a chlibeáil!
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Clár Ábhair:
- Metric Preference Learning with Applciations to Motion Imitation
- In the Dance Studio: An Art and Engineering Exploration of Human Flocking
- Dancing Robots: The Control Theory of Communication Through Movement
- So You Think You Can Dance?: Rhythmic Flight Performances with Quadrocopters
- Robotic Puppets and the Engineering of Autonomous Theatre
- The Artistic Geometry of Consensus Protocols
- Generating Music from Flocking Dynamics
- "Are We There Yet?": Visual Tracking of Visitors Under Variable Lighting
- Style-based Robotic Motion in Contemporart Dance Performance.