The Cambridge history of musical performance /

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Bibliographic Details
Other Authors: Lawson, Colin, Stowell, Robin.
Format: Book
Language:English
Published: Cambridge : New York Cambridge University Press, 2012.
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Table of Contents:
  • Performance today /
  • Nicholas Kenyon
  • Political process, social structure, and musical performance in Europe since 1450 /
  • William Weber
  • The evidence /
  • Robin Stowell
  • The performer and the composer /
  • Corey Jamason
  • The teaching of performance /
  • Natasha Loges and Colin Lawson
  • Music and musical performance : histories in disjunction? /
  • David Wright
  • The ancient world /
  • Eleonora Rocconi
  • Performance before c. 1430 : an overview /
  • John Haines
  • Vocal performance before c. 1430 /
  • Jeremy Summerly
  • Instrumental performance before c. 1430 /
  • Stefano Mengozzi
  • Case study : Guillaume de Machaut, ballade 34, Quant Theseus/Ne quier veoir /
  • John Haines
  • Performance in the Renaissance : an overview /
  • Jon Banks
  • Vocal performance in the Renaissance /
  • Timothy J. McGee
  • Instrumental performance in the Renaissance /
  • Keith Polk
  • Case study : Seville Cathedral's music in performance, 1549-1599 /
  • Owen Rees
  • Performance in the seventeenth century : an overview /
  • Tim Carter
  • Vocal performance in the seventeenth century /
  • Richard Wistreich
  • Instrumental performance in the seventeenth century /
  • David Ponsford
  • Case study : Monteverdi, Vespers (1610) /
  • Jonathan P. Wainwright
  • Performance in the "long eighteenth century" : an overview /
  • Simon McVeigh
  • Vocal performance in the "long eighteenth century" /
  • John Potter
  • Instrumental performance in the "long eighteenth century" /
  • Peter Walls
  • Case study : Mozart, Symphonies in E flat major K543, G minor K550, and C major K551 /
  • Colin Lawson
  • Performance in the nineteenth century : an overview /
  • Michael Musgrave
  • Vocal performance in the nineteenth century /
  • Will Crutchfield
  • Instrumental performance in the nineteenth century /
  • Ian Pace
  • Case study : Richard Wagner, Tristan und Isolde /
  • Robin Stowell
  • Musical performance in the twentieth century and beyond : an overview /
  • Stephen Cottrell
  • Vocal performance in the twentieth century.
  • and beyond /
  • Jane Manning and Anthony Payne
  • Instrumental performance in the twentieth century and beyond /
  • Roger Heaton
  • Case study : Karlheinz Stockhausen, Gruppen f�ur drei Orchester /
  • William Mival
  • The future? /
  • Colin Lawson and Robin Stowell.